- Premiere Pro conforms certain types of audio to match the 32-bit format and the sequence sample rate. It supports two channels of embedded, RCA or S/PDIF audio at television-standard sampling rates. A higher sample rate will give you a more precise capture of the original audio signal. Exporting Final Cut Pro XML Files. Choose Export Media from Premiere’s File menu. Adjust the filter.
- Nov 12, 2019 dealing with 44.1 kHz audio. We are editing a feature documentary with the audio set at 48kHz. Our composer has given us the music cues in 44.1kHz. They seem to play fine even with the different rates. Our audio mixer says we should be working entirely in 48kHz.
- With Premiere Pro, you can stretch and shrink time on audio and there is a checkmark to maintain pitch, so everything sounds perfect. Solution: Now I’ll explain exactly how to do this with Adobe Premiere Pro. The first thing that I did was I took the 44.1 kHz mp3 files into Adobe Audition and resampled them to 48000 kHz wav files.
So for my first post...I'm going to try and explain a serious mess that I've gotten myself into and can't find a way out of this wormhole.
I have a wav file that is at 44.1kHz, 16 bit that plays to the correct speed (pitch and tempo) when played at 48kHz. Is there anyway to make the song play 'correctly' at 44.1kHz without changing the pitch of the recorded material?
For the life of me I don't know how I got into this situation. I record with Nuendo and into MOTU24i/o. I use a BigBen as an external clock. When recording our church group I was recording like i've done many years ago....long story but after my wife and I had our first child 3 years ago I stopped playing and recording to spend time with them. I used to record all the time but this is my first foray into recording since he was born. SO in the past I would record 48/24 and then dither down to 16/44.1. However, in my zeal to get recording and in the time crunch of moving all my gear to the church and setting things up...I apparently had the project setup to be at 44.1kHz and 24bit. Sooo...I thought the BigBen would trump the project setup in Nuendo and that doesn't seem to be the case. So everything was clocked at 48 and recorded as wave files into the computer at 44.1. Confused yet? I am too! LOL. I seriously have no clue how I got myself into this mess.
I literally have the BigBen and MOTU set to 48kHz but all the tracks that have been recorded are at 44.1kHz and then when midown to the correct 44.1kHz, 16bit...because the BigBen was set to 48kHz everything is wrong. Its a serious wormhole that I'm lost inside.
So I do the audio mixdown/export from Nuendo and dither it down to 16/44.1 and then do a little touchup in Wavelab at the same thing 16/44.1 and then play it back on the computer. Well the computer is sync'd to the 48kHz from BigBen and it sounds FINE. Tempo, key, etc. However, upon placing it in the car...it sounds slow as all get out.
So again, in simplest form, is there a way to take a track at 44.1kHz that plays to the correct speed (pitch, tempo, etc) when played at 48kHz. Is there anyway to make the song play at 44.1kHz without changing the pitch of the recorded material?
Or is there something else I can do without jeopadizing all the recorded material to this point?
Any help would be GREATLY appreciated. I'm really in a bind here and I'm truly at a loss right now.
Thanks for any help here!
cbseparation
I have a wav file that is at 44.1kHz, 16 bit that plays to the correct speed (pitch and tempo) when played at 48kHz. Is there anyway to make the song play 'correctly' at 44.1kHz without changing the pitch of the recorded material?
For the life of me I don't know how I got into this situation. I record with Nuendo and into MOTU24i/o. I use a BigBen as an external clock. When recording our church group I was recording like i've done many years ago....long story but after my wife and I had our first child 3 years ago I stopped playing and recording to spend time with them. I used to record all the time but this is my first foray into recording since he was born. SO in the past I would record 48/24 and then dither down to 16/44.1. However, in my zeal to get recording and in the time crunch of moving all my gear to the church and setting things up...I apparently had the project setup to be at 44.1kHz and 24bit. Sooo...I thought the BigBen would trump the project setup in Nuendo and that doesn't seem to be the case. So everything was clocked at 48 and recorded as wave files into the computer at 44.1. Confused yet? I am too! LOL. I seriously have no clue how I got myself into this mess.
I literally have the BigBen and MOTU set to 48kHz but all the tracks that have been recorded are at 44.1kHz and then when midown to the correct 44.1kHz, 16bit...because the BigBen was set to 48kHz everything is wrong. Its a serious wormhole that I'm lost inside.
So I do the audio mixdown/export from Nuendo and dither it down to 16/44.1 and then do a little touchup in Wavelab at the same thing 16/44.1 and then play it back on the computer. Well the computer is sync'd to the 48kHz from BigBen and it sounds FINE. Tempo, key, etc. However, upon placing it in the car...it sounds slow as all get out.
So again, in simplest form, is there a way to take a track at 44.1kHz that plays to the correct speed (pitch, tempo, etc) when played at 48kHz. Is there anyway to make the song play at 44.1kHz without changing the pitch of the recorded material?
Or is there something else I can do without jeopadizing all the recorded material to this point?
Any help would be GREATLY appreciated. I'm really in a bind here and I'm truly at a loss right now.
Thanks for any help here!
cbseparation
How To Convert 44.1 Khz Audio To 48khz Premiere
Convert 44.1 Khz Audio To 48khz Premiere Studio
Forums › Audio Engineering › out of sync, 44.1 to 48KHz out of sync, 44.1 to 48KHz Elliott Klein updated 10 years, 2 months ago 3 Members 4 Posts. Last Thoughts on 44.1 kHz Versus 48 kHz Audio In the end, 44.1 kHz, 88.2 kHz, and 176.4 kHz sample rates remain the preferred options for studio recording when outputting to a CD. However, if your audio is to be used in a video or delivered on a digital format, 48 kHz and its derivatives may provide the better option.