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8/10 (193 votes) - Download Ableton Live Free. Download Ableton Live, a MIDI and audio sequencer to compose your own music. Ableton Live is a tool developed specially thinking about live performances. Audio sequencers, also known as DAWs (Digital Audio Workstations), were traditionally programs. Ableton Live 10.1.9 (64-bit) Technical Details It’s better to know the app’s technical details and to have a knowledge background about the app. Therefore, you can find out if Ableton Live will work on your Windows device or not. OS X is 64bit since 10.7. Your CPU is 64bit. I'm running Live 10 beta right now on a MBP from 2009 under macOS 10.12! Instead of lashing out against Ableton, you could ask them and the community for assistance. For starters, Live 10 is 64bit only, yes. You can run it, no problem on what you describe.

Ableton Live has become the DAW of choice for many top songwriters and producers. Flume, Diplo, Skrillex and Deadmou5 are some of the biggest names in electronic/pop music using the software. Keep reading to for an Ableton Live Lite tutorial and review.

Ableton – the Berlin-based company released the first edition of Ableton Live in 2001 and was used exclusively for electronic live performances. Fast forward to 2020 and the company has revolutionised the way in which music is created and performed.

Whether you’re a songwriter, looking to record some simple demos, or a seasoned producer looking for a fresh perspective and production workflow, by the end of this article you’ll have a solid understanding of how best to get started using Ableton. We’re going to be looking at Ableton’s Live 10 Lite edition. It’s the perfect stepping-stone into electronic music, music production and live performance.

Note: For readers who are already familiar with music production, feel free to skip the sections covering audio equipment and setup.

What Is Ableton Live 10 Lite?

Ableton Live 10 Lite is a basic, stripped down edition of the full Ableton Live 10 Standard and Ableton Live 10 Suite editions. The difference between the basic and full editions comes down to functionality. More specifically, Ableton Live 10 Lite has a limited array of synthesizers, plugins, miscellaneous effects and sounds to choose from.

The 4 Different Ableton Editions

Ableton Live 10 Suite – The full version: all software instruments, plugins, sound packs. No limitations or restrictions.
Ableton Live 10 Standard – The full version: most software instruments, plugins and sound packs. Some restrictions or limitations.
Ableton Live 10 Intro – Like the Lite edition: Intro is also a basic edition. In fact, the differences between Lite and Intro are so incremental that it’s not worth considering purchasing Intro. Just go straight to one of the full editions if you ever decide you want an Ableton Live Lite upgrade.
Ableton Live 10 Lite – Similar to the full editions but with less of everything. Despite Ableton Live 10 Lite being the inferior version overall, it’s still incredibly versatile and powerful. You could still produce records with just this version.

We’ll be looking at Ableton Live 10 Lite because the software is an industry standard and it’s free to get started.

Let us know if you’d like an Ableton Live Lite vs Standard or Ableton Live Lite vs full review!

Note: Go to www.Ableton.com to see a comprehensive guide of features included in the 4 different editions and their price listings. Also, check out our article on free Ableton sound packs!

Installation

Before you download a version of Ableton Live 10 Lite, please check the system requirements:

System Requirements for Mac

OS X 10.11.6 or later
Intel® Core™2 Duo Processor (Intel® Core™ i5 processor or faster recommended)
4 GB RAM (8 GB or more recommended)

System requirements for PC

Windows 7 (SP1), Windows 8 or Windows 10 (64-bit)
64-bit Intel® Core™ or AMD multi-core processor (Intel® Core™ processor or faster recommended)
4 GB RAM (8 GB or more recommended)

Basically, make sure your computer’s operating system is up to date and that you have enough space on your internal hard drive to install the software.

When ready, go to www.ableton.com/en/products/live-lite/ to get your Ableton Live Lite download.

Note: If the link doesn’t work, search for “Ableton Live 10 Lite download” in your browser and you’ll be directed to the Ableton website download page.

Installation & MIDI (Musical Instrument Digital Interface)

Along with your edition of Ableton, you’ll also need a MIDI controller to interact with the software and program/play music with.

A MIDI controller (Musical Instrument Digital Interface) is any hardware that transmits or receives data to and from a DAW – sounds complicated and sophisticated but it’s not.

In simple terms, a MIDI controller is just a pad or mini keyboard with extra buttons that you plug into your computer to trigger sounds and perform live with – that’s all! Learn more about MIDI controllers by clicking on it above!

Authorise Your Ableton Live Lite Software

At this point, open up Ableton Live 10 Lite on your computer and you’ll be prompted to authorise the software.

I recommend authorising your edition of Ableton Live 10 Lite for 2 reasons:

It will allow you to save your work.
It will enable you to export your songs and productions.

So, authorising your Ableton Live 10 Lite is a very important step.

To do this you would need to purchase a license from Ableton, which comes in the form of a serial number. Fortunately, this serial number comes free with a lot of controllers already, so all you need to do is purchase a MIDI controller.

Note: Make sure you purchase a controller that includes an Ableton Live 10 license.

Ableton Account

During the installation and authorisation process, you’ll most likely be prompted to create an Ableton account. It’s worth creating an account as it keeps all your Ableton licenses in one place. It also serves as your own cloud storage system for Ableton products. Such as additional Ableton Live Lite plugins, sounds and instruments.

For further help with the installation and authorisation process, go to the help section of the Ableton website.

Note: For any readers who already have MIDI controllers, chances are you’ll find an Ableton Live Lite free license in your controller’s original packaging.

Finding The Perfect MIDI Controller

When choosing a controller, keep your musical background and what you hope to create in mind. For example, if you’re big into beat making, the Launchpad or AKAI MPD218 are great choices. They have a simple pad grid layout that makes it easy for “finger drumming” and for use with Ableton’s Live performance mode (Session View).

If you’re a piano/keys player, go for a MIDI controller with a keyboard that has multiple octaves, like the Launchkey 49.

I recommend a controller that includes a pad grid and a keyboard. That way you’ll have one piece of hardware for all music production purposes. It also means less clutter in your studio.

Once you’ve got your MIDI controller ready and your Ableton edition open on your computer. Connect your controller to your laptop using the provided USB cable. Ableton should recognise your controller and make any configurations automatically.

If for some reason the controller is not working right away, you’ll need to set up the MIDI controller manually. It’s very easy.

Ableton have created a video tutorial for configuring MIDI controllers manually:

Audio Interface Setup

If you’re going to be working with raw audio, recording acoustic instruments like vocals or acoustic guitar for example, you’ll need to make sure your audio interface is communicating with Ableton Live 10 Lite.

Modern technology has increased audio hardware quality overall and made it inexpensive to acquire. You’ll have no trouble finding an audio interface that suits your budget.

Before buying an interface, you need to have a rough idea of what you want to record with it. For example, if you just want to record an electric guitar or vocalist, go for a straightforward interface like a Scarlett Solo. It has a single D.I. (Direct Input) and Audio input. If you want to record a live band however, you’re going to need multiple inputs.

To set up your interface to work with Ableton, make sure your interface drivers are installed. Next, in Ableton, go to preferences > audio > go to “Audio Input Device” and from the drop-down menu, select your interface. Then go to “Audio Output Device” and from the drop-down menu select your preferred output.

You’re all set! Now, let’s actually get into using Ableton Live Lite.

How To Use Ableton Live 10 Lite

Ableton is unique from other DAWs, primarily because it has two different modes, referred to as “Arrangement view” and “Session View”.

Arrangement View

This is the classic layout that you’ll see in most, if not, all DAWs. It’s the composing, recording and arrangement UI (user interface). This is where you see your audio or MIDI being recorded, where you’ll edit audio, midi and arrange your productions.

Session View

This is the Live performance mode. When you see producers and bands on stage with laptops, there’s a fair chance they’re using Ableton’s session view.

This mode allows you to take your mixed and mastered music on to the stage and manipulate it any way you like.

The idea behind this is that, whilst on stage, using your controller(s) of choice, you can launch loops of audio known in the Ableton world as “clips”.

Session view is a feature that puts the Ableton DAW ahead of its competitors. It’s unique to Ableton and one of it’s selling points.

Note: Shortcut for Mac and PC – switch between the Arrangement and Session view by pressing the Tab key.

MIDI And Audio Tracks

To create music with your MIDI controller or record audio you’ll have to create a channel or “track” for each. If you create a MIDI track, you’ll only be able to play MIDI instruments or use MIDI effects from the sound library located on the left of the DAW.

Similarly, if you create an audio track, you’ll only be able to play/record raw audio or use audio plugins for that track.

Create A MIDI Track

Go to the menu bar at the top and choose Create > Insert MIDI Track

Create An Audio Track

Go to the menu bar at the top and choose Create > Insert Audio Track

To play and record music, select the appropriate track (MIDI or audio) “arm” it by clicking the small “clock” icon, located at the bottom of the track channel.

At the top of your Ableton Session you’ll find a menu bar with the play, stop and record (the circle) icons.

That’s it. That’s all you need to know to start tinkering with Ableton Live 10 Lite.

You’re good to go!

Tips To Ease Into Ableton

It’s A Learning Curve

Give yourself permission to feel overwhelmed. Convert archicad to autocad. If you’re new to Ableton Live 10 Lite, it’s easy to get frustrated. Accept this fact and the learning curves will be less intimidating and you won’t be disheartened if you can’t do something right away. It just makes the whole learning process easier.

Get Started

Start making music immediately. Get your hands dirty. The more often you get stuck trying to do something, the more often you will get unstuck solving the initial problem and the faster you’ll learn.

Don’t Be Afraid To Ask For Help

Youtube, Google and Social Media are your friends. It’s safe to say that you can find a solution to any Ableton problem with a quick Google search. Similarly, there are tens of thousands of Ableton tutorials on Youtube, for beginners to advanced. Join Facebook groups and Reddit subreddits etc. Take advantage of the online community.

Shortcuts

Shortcuts will be your saving grace when learning how to use Ableton software. You’ll become a pro in no time. They speed up your workflow immensely and will compliment your outbursts of inspiration. Seriously, there’s nothing worse than being inspired to try a new musical idea and it taking 5 minutes to execute…because you don’t know or can’t remember a short cut. Also, check out our article on Ableton Templates to help make your music making even more efficient.

Piano Roll

Learn to use the piano roll. This will help you edit your midi recordings and allow you to experiment with harmony, melody and rhythm.

Sound Synthesis

Sound synthesis. Learn about it. It’s the first step in mastering this software. A lot of the instruments and plugin features are based on the basic concepts of sound synthesis. It’ll set you apart from the rest of the crowd.

Start Small

Don’t purchase any of the advanced editions until you’re comfortable with the Lite version, or at least know that you’re going to commit to using Ableton frequently. The full editions are expensive for multiple reasons: they are far more powerful and harder to manage.

5 Stars

Some other big artists who produce and perform with Ableton products include Chet Faker, FKJ, Masego, Jack Garrett, and Mura Masa.

Over the past 20 years Ableton has become an industry standard for record producers and musicians. Ableton Live 10 Lite is the perfect stepping-stone into music production and live performance. The Lite edition is free to download and has plenty for you to play with. It’s easy to install and set-up.

Ableton has a vast online community to engage with and reach out to if you ever find yourself struggling with something. Online learning resources are endless. You will have no trouble getting familiar with this DAW and you’ll master it in no time.

Is Ableton Live Lite Worth It?

As someone who has produced in multiple genres, alternating between what are arguably the three most used DAWs in the industry, Ableton Live 10 is an excellent choice for anyone interested in learning music production for fun or for starting a music career with. Start by experimenting with the Lite edition, once you’re comfortable with it and if you want more functionality, just upgrade. I initially used Pro Tools 11 HD and Logic Pro X, I downloaded Ableton Lite to try out one day, got hooked, upgraded to the Suite edition within a week.

So, if you’re just starting out with music production, then this is a really good option.

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We hope you enjoyed our Ableton Live Lite review and Tutorial! If you’d like to gain more music production knowledge have a look at the many articles on our blog. You can also find people to collaborate with or get opportunities for your music! Try Music Gateway for free, all you have to do it sign up…

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1COMMENT

Hey, I just bought the Focusrite Scarlet Studio. I am recording with Abelton Live Lite and it will only let me record 8 tracks. Is there a way to “upgrade” my software so I can continue to record more tracks. Please help! I have tried to reach out via email to Abelton Live Lite and have not gotten any response. Thank you in advance!

Best Regards,

Nicholas Fennel
[email protected]
313.858.0455

Hey Nicholas, If you visit the upgrade page on their website you should be able to get some more information from there. Sorry that we couldn’t help more!

8.4.2 Release Notes

Improvements and feature changes:

Added control surface support for M-Audio Axiom Air 25, 49 and 61 keyboards.
Updated ReWire engine to support Mac OS X 10.9 Mavericks.

Bugfixes:

The mouse and keyboard could sometimes become unresponsive after zooming or tweaking parameters on OS X 10.9 Mavericks.
Under certain conditions, Live would not launch and return an error message 'The Side-by-Side configuration is incorrect' after installing it on Windows.
Live could crash when moving a VST or AU plug-in to a different track while having its GUI open.
Live could crash when deleting a AU plug-in device from a track while having its GUI open.

8.4.1 Release Notes

Improvements and feature changes:

Added a user satisfaction survey. After several hours of usage, Live will ask you to rate the software on the next startup. You can submit a star rating or simply dismiss the survey.
Added control surface support for Novation Launchkey series.
Added control surface support for M-Audio Axiom Air Mini 32.

Bugfixes:

(64-bit Windows) Exporting video at 48 kHz would not work.
(64-bit Mac) The video window could go black after toggling full-screen mode on and off.
(64-bit Mac) The content in the video window would sometimes not resize correctly in the 64-bit Mac version after when jumping in the playback position.

8.4 Release Notes

Improvements and feature changes

Live 8.4 introduces native 64-bit support. The 64-bit version of Live allows the use of more than 4 gigabytes of RAM. This means that Live users can now work with Live Sets (including Sets using third-party plug-ins and ReWire configurations) that are much larger and more memory intensive than in the 32-bit version. The 64-bit version of Live works with PCs running Windows Vista/7/8 (64-bit) and with Intel-Macs running OS X 10.5 and up. For more information, please refer to our knowledge base: (https://www.ableton.com/articles/what-are-limitations-64-bit-version-live/).
Improved the authorization dialog when launching Live as a Trial version.
Improved automatic updates.
The word size of the Live application is now shown in the splash screen.
Live is now showing the email address of the currently authorized user account in the 'About' window.

Bugfixes

Live would not respond to time signature changes from a ReWire master.
Fixed a bug which could prevent VST plugins stored in the OS X system library folder to show up in Live's browser.
Fixed a bug in the 32-bit version, which could cause problems when resizing 32-Bit-Cocoa plugins.
Under certain conditions, the playback position in audio clips was incorrect after changing clip start markers in unwarped clips and then re-enabling 'warp' (regression from 8.2.7).
Deactivating a playing clip and then reactivating it would leave the clip in an incorrect state. The clip would look as if it is playing, although it was actually stopped.
Fixed a problem with the Max for Live engine, which would cause Live to freeze when setting an audio buffer size smaller than 21 samples.
Live parameters would no longer update correctly after deleting a Max for Live device which was mapped to that parameter via live.remote~.
Mappings from Max devices to VST plugin parameters could get lost after saving an instrument rack preset and then reloading it.
Fixed a graphical glitch in the Session- / Arrangement View amoeba after toggling views (mixer, crossfader, etc.).
The Session View selection frame of the APC40 or Launchpad could get stuck after deleting scenes or undoing the creation of scenes.
Under certain conditions, Live could hang when decoding MP3 files (Win only).
Fixed a bug which could cause a 'memory corruption error'.
Fixed a memory leak which could occur when previewing audio files in the Browser, using the 'Complex' warp mode.
Live could freeze when successively sending Program Change messages to a VST or AU plug-in (Mac OS X only).
Live could freeze when using the 'Insert Time' or 'Insert Silence' commands.
Live would crash when deleting a clip while recording.
Live would crash when saving an Audio Effect Rack containing devices with certain side-chain routings.
Live would crash when dropping MIDI Effect Rack presets onto Drum Rack pads or an Instrument Rack chain.
Live would crash when changing the sample rate for audio interfaces with dynamically changing channel configurations (Mac OS X only).
Live would crash when using the copy / paste time commands inside a group track.
Live could crash under certain conditions when importing extremely long MP3 files into Live (several hours long files).
Live could crash under certain conditions when deleting a VST plug-in from a drum rack's return chain.
Live could crash under certain conditions when recording time signature changes.
Live could crash under certain conditions when triggering scenes containing time signature changes.
Live could crash under certain conditions when switching through rack chains (e.g. with the 'Auto' select function) whilst renaming a device inside the chain.
3 other rare crashes have been fixed.

8.3.4 Release Notes

Improvements and feature changes:

The word size of the Live application is now shown in the splash screen.
Live is now showing the email address of the currently authorized user account in the 'About' window.
Improved the authorization dialogue when launching Live as a Trial version.

Bugfixes:

Fixed a bug which could cause a 'memory corruption error' when launching Live.
Fixed a memory leak which could occur when using the 'Complex' warp mode.
The Session View selection frame of the APC40 or Launchpad could get stuck after deleting scenes or undoing the creation of scenes.
Live device parameters would no longer update correctly after deleting a Max for Live device which was mapped to that parameter via live.remote~.
Fixed a problem with the Max for Live engine, which would cause Live to freeze when setting an audio buffer size smaller than 21 samples.
Fixed a graphical glitch in the Session- / Arrangement View amoeba after toggling views (mixer, crossfader, etc.).
Fixed a problem with the Windows installer which could lead to an incomplete installation on some computers. Symptom: The Live application would not launch at all and an error message 'The application has failed to start due to a side-by-side configuration error' would be shown instead.
Under certain conditions, the playback position in audio clips was incorrect after changing clip start markers in unwarped clips and then re-enabling 'warp'.
Fixed a bug which prevented some VST plugins stored in the OS X system library folder to show up in Live's browser.

8.3.3 Release Notes

8.3.2 Release Notes

Bugfixes:

Fixed a bug with the Rewire engine which occurred with Live 8.3.1.

8.3.1 Release Notes

Improvements and feature changes:

Added support for Mac OS 10.8 'Mountain Lion'.
Improved performance when recording many MIDI CC data into MIDI clips.
The default takeover mode for control surfaces has been changed to 'none' (this will only affect new installations).
Minor changes for usage data reporting.

Bugfixes:

Fixed a bug which could lead to degraded resolution of automation data when recording automation for VST plugins running in Novation's automap shell.
Fixed a bug which prevented samples from being opened in an external sample editor.
Fixed a crash which could occur when importing two identical audio files into Live.
Fixed a bug which could lead to two undo steps when freezing a track.
Fixed a bug which could cause the save dialogue to disappear in OS X Lion.
Under certain conditions, Live's splash screen wouldn't appear on OS X Lion.
Opening an alias file of a Live set wouldn't work on OS X Lion.
Fixed login problems in the Soundcloud uploader on Windows.
Fixed a rare crash which could occur with automatic updates on certain Windows computers.

8.3 Release Notes

Improvements and feature changes:

A new 'Upload to SoundCloud' option is available in the Export Audio/Video dialog. When enabled, Live will open an upload client after the file has been rendered to disk, so you can upload the rendered file directly to your SoundCloud account.
Added automatic software updating. When enabled, Live will automatically download and install software updates in the background. Users who update to Live 8.3 from an older Live version will see a dialog box when launching Live 8.3 for the first time, where Automatic Updates can be enabled or disabled. You can always change the settings in Live’s 'Licenses/Maintenance' Preferences. More detailed information about Automatic Updates is available in our Knowledge Base.
Changed the naming of the Live application. The application is now called 'Ableton Live 8' and does not include a specific revision number. The revision number can still be found in the About screen in the Help menu.
The Windows installer has been updated to a newer version.
The default installation path of the Live application has changed on Windows. More information can be found in our Knowledge Base.
Added usage data collection. When enabled, Live will send data about your Live installation and usage to ableton.com. This data will be used to help our developers identify bugs and improve the software. Usage data collection is optional and can be enabled/disabled in the 'Licenses/Maintenance' Preferences. More information can be found in our Knowledge Base.
Added control surface support for Akai MPK Mini.

Bugfixes:

Fixed a crash that could occur when modulating a parameter in the Corpus device with Max for Live.
Fixed crashes and audio dropouts that could occur when hot-swapping through AAS instruments.
Fixed a crash that could occur when undoing the deletion of the last warp marker in an audio clip.

8.2.8 Release Notes

Improvements:

Added support for the Ableton Improvement Program, an automatic usage and data reporting tool. To enable, add this line to your Options.txt file:
-ImprovementProgramParticipation=On
More information about the Ableton Improvement Program can be found in our forum announcement.
(For more information about using the Options.txt file, see http://www.ableton.com/pages/faq/options_text)

Bugfixes:

Receiving MIDI CCs on a MIDI track’s input was causing a high CPU load on OS X Lion.
Fixed a bug in the 'Beats' warp mode which could lead to unwanted clicks in rare cases.

8.2.7 Release Notes

Improvements and feature changes:

There is a new entry in the Options menu: 'Reduced Latency When Monitoring', which toggles latency compensation on and off for tracks which have input monitoring on. When enabled, input-monitored tracks will have the lowest possible latency but may be out of sync with some other tracks in your Set. When disabled, all tracks will be in sync, but input-monitored tracks may have higher latency. Before, the option was only available via the 'StrictDelayCompensation' options.txt, and was ON per default. It now defaults to OFF.
When restarting after a crash, Live will now display a warning in the Help View if the crash was caused by an issue with a VST plug-in. Note: this is currently for Mac OS X only.

Bugfixes:

Authorizing a full version of Live would sometimes activate a feature-limited version (Live Lite or Live Intro).
Fixed a bug that prevented setting the start marker of an audio clip before the sample start.
On Mac OS X, saving a Live Set could lead to an unresponsive Save dialog box, if the destination folder contained an alias file which points to an unavailable volume.
Fixed a crash which occurred when importing a Drum Rack with a routing to a return track.
3 additional crashes were also fixed.

8.2.6 Release Notes

Improvements and feature changes

Added support for Novation Impulse controllers.

Bugfixes

In Live 8.2.5, it was not possible to try Amp or Max for Live.

8.2.5 Release Notes

Live 8.2.5 introduces compatibility with Mac OS X 10.7 Lion

Note for Max for Live users: please update to Max 5.1.9 to ensure Max for Live compatibility with OS X 10.7 Lion.

Improvements and feature changes

MIDI sync has been improved when Live is a MIDI clock slave
Imported tracks (from the Live Browser) now route to Master if their original output routing can't be resolved, instead of 'Sends Only.'
The default for the Takeover mode in the MIDI Preferences is now Value Scaling instead of Pick-up.
We now prevent choosing the root of the system hard drive (or the Windows system folders on Windows machines) as the third-party plugin location. Doing that would crash Live on startup, because these folders contain files that are interpreted as third-party plugins.

Bugfixes

Live would freeze and crash on OS X Lion when sending MIDI data to any MIDI port.
Under certain conditions, quantizing transient markers could lead to overlapping warp markers, which would cause various problems when editing the warp marker or its segment BPM value.
Under certain conditions, the 'Transient'-based Beats warp mode would play double attacks. With this bug fixed, it is possible that some clips sound different.
Excluding a plug-in from the scan process didn't work if Live crashed because of the first scanned plug-in, after enabling the VST plug-in source via Live's Preferences (Mac only).
Rendering a Live Set containing an EQ3 at sample rates below 44.1 KHz would result in an audio file containing pure silence.
Fixed a crash when loading a Live 7 Set with invalid clip color information in Live 8.
Detail view appeared empty after Hot-Swapping an unfolded Rack, because devices were scrolled out of view.
Infinitely long clips would be created if rewinding the global transport while making a new recording.
Track names could be incorrectly displayed when unfolding a Live set in the Live Browser. This only happened for 'automatic names' that tracks get from the Instrument they contain. For Live Sets saved in earlier versions, names of tracks containing Racks, Max for Live devices or third-party plugins may still look wrong. Re-saving the Sets will fix the problem.
Some Operator presets could sound different when loading them, and then creating or moving a track.
The Frontier Design Tranzport was not getting updated when switching tracks.
The green zoom button was sometimes disabled when using Live with Mac OS X.
Resuming a clip in Session view while the track is armed but OVR is OFF could result in the clip not playing its notes.
Toggling OVR ON and OFF doesn't create an UNDO step anymore
Certain Library content wasn't usable for Live Intro users since version 8.2.
Enabling a clip loop via the loop switch or the Set Loop Length button would sometimes stop the clip.
Fixed a crash which could occur when hot-swapping a certain Drum Rack pad.
Eleven additional crashes were also fixed.

8.2.2 Release Notes

Improvements and feature changes

Added bank names for Amp instant mapping, which in turn fixes a problem with the Axiom DirectLink control surface.
Fixed problems with the Mbox2 related to non-integer sample rates.
Added control surface support for Akai Professional LPD8.
From now on, betas will ask to check for updates only once a week, and starting a week after first run.
the 'Peek' button on the Axiom Pro now works as a momentary control

Ableton Live 10 32 Bit

Max for Live improvements and feature changes

(Note: Most of these changes require an update to the latest version of Max, which is available from http://cycling74.com/downloads/)

Devices inside Racks can now be accessed via the Max for Live API
Return tracks can now be observed via the Max for Live API

Live devices and parameters can now be much more easily mapped to controls in Max devices. Devices can safely be moved within a Live Set without breaking any existing mappings. Also, devices and Sets can be saved and loaded without breaking existing mappings. The following changes make this possible:

There is now a simple way to observe the selected parameter via the Max for Live API, using 'live.path live_set view selected_parameter.' This can be used, for example, to build a custom 'map mode' to quickly map parameters in your Live Set to controls in a Max device.
Live objects like tracks, clips or parameters retain their identity (id nn) during operations like move, save/restore, cut/paste, delete/undo, the identity is global and can be communicated via Max's Send and Receive objects.
live.object, live.observer and live.remote~ are now able to remember their target objects when Live sets or presets are saved and restored or when objects are moved within the Live set.
Ableton protected samples can now be used in Max for Live device, via the Live.drop object
fixed a bug where clip slots would lose their id on moving a clip
fixed navigating and observing control surfaces via the LiveAPI
Repeatedly calling 'goto control_surfaces' on a live.path object was producing a different id each time
Fixed a crash that occurred when deleting a Rack containing a Max for Live device, where a Remote~ was controlling one of the Macro knobs, and then Undoing the delete action
Navigating the Live Object Model is about two times faster
Fixed a crash that occurred when moving tracks that contained automated Max for Live devices
Fixed a crash that occurred when replacing one Max for Live device with another if certain modulations existed
If a native Ableton device has parameters that are mapped to a Max for Live device, the mappings will be preserved after hot-swapping the Ableton device
The Track/Chain Activator and Song Tempo are now accessible via the 'selected_parameter' property and their path can be queried
'live_app' and 'live_app view' can now be persistent in the Max for Live API
Mapping some mixer component on the APC40 (for example) through the Max for Live API wouldn't work without pressing the Pan or Send button on the APC40, which reset the component. This has been fixed.
'goto live_set tracks 2 devices' in a set with one track produced id -1, which is wrong. Now it produces id 0.
If the LOM id of the observer is persistent, the property of an observed LOM object is persistent, even if it is dynamically changed using a message.
Max for Live devices that control the Application objects (e.g. live_app (live_app view)) or which get information about the Live version and document name (e.g. get_major_version (focus_view)) will work when loading the Set, without requiring user interaction.

Bugfixes